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Ian Macartney

Updated: Aug 4

Ian Macartney works with words, sounds, images and other people. He can be found online at ianmacartney.scot, but for how much longer?" His TikTok handle is @e7519.6a0c85.088182.


ECZCHEMATICS


The unconsciousness seems to me to be structured like a body


Didier Anzieu




, it’s textured, its text-ure. Your body goes unlegislated, illegible



, lichenification. Metonymic for something else, non-, ossified



, you excavate, plunder the skin, the surface, dig deeper. It’s resourceless, futile. No


dark wealth but a poverty of moisture. You are like a stone, a waking fossil



, eternal present. Writing does not solve this. You are unsure it is a conundrum, per


se, cipher with the unlock, positions of possibility. Writing its own itching, without


completion



, so infinity



, compromise – slapping. The use of knuckles. A harsh rub. The body punishes,


Protestant down to the gnarled barbed genome



, yes, you’re writing about eczema. Eczema exists in the present-tense – it’s a tense


presence



, ambient, a universe of hurt in a speck of pink



, so subjectivity



, so an existential condition



, not hope but minimisation



, I am skin that walks. Thrown out by heat, I wear this skin for a lifetime. […] We often


disagree1



, the ever-discomfort which rears a screaming – mewing? – body, ever-attuned,


activated. Allergy-as. It teaches, through touch, a stark chasm between perception


and interiority. Oh-it-is-a-bit-pink-today synonymous with a pain, crimson, like the skin


has been burned



, you cannot focus on a point for there are many points



, scattered over islands of inflammation. Your self, self-information, inflamed, the body


in overdrive, hyperactive even when dormant



, especially when dormant



, the itch is the itch to be understood by one’s love-object […] the physical systems


revives old frustrations in the primal form of the “language” of the skin2



, a crust behind the ear. A neck, as gnarled as a quarry face. Hands and fingers,


perpetually cut. Inside of arms. Lower back. Actually, scratch that – upper back too. A


coin shape against the right ankle, like some volcanic crater. Thighs, knees



, each area, the peak of their inflammation, nomadic



, eczema travels across your body – to settle dormant in exchange for another place,


activated



, your map of neurons rewired monthly. You switch between emollients every eight


weeks because your body grows used to whatever is commonly used



, fights back



, modulates to keep scratching



, yes, you negotiate with your own body



, no, actually, negotiation is too generous. It implies agreement, as if this didn’t come


down to motor neurones. Eczema commands from the spine, not thought



, scratch as negation, then? The body, in eczema, becomes a second agent to a


consciousness, the body-in-control. All adherences to the body, the rhetoric of ‘vibrant


materialism’ etcetera3, do not take into account something this simple



, this sucks



, the experimental writer Rosie Šnajdr once spoke to you about the ‘itchiness’ of


writing. It goes on and on, its deferral



, it is deferral, after all



, eczema asks for more from words, more than language on language’s terms. Inquiry,


excavation



, eczema opens up to the infinite vastitude of language not working. In eczema is the


situation of words, indescribable, futile



, again, an existential condition



, you rub against clothes, knuckles. When you really leave it be, make the effort, you


start to spasm. You turn animal, honed again and again and again to a nub that doesn’t


exist



, skin re-members […] the body’s memory of our lives […] a fantasmatic surface, a


canvas for what we wish were true – or for what we cannot acknowledge to be true4



, yours is a body made open in eczema. To infections, mainly



, your skin begins its own series of affects – the skin is ”angry”, it is “calm”, it is a


petulant child, it is a rogue pet



, you bleed. Ambiently. Red specks occur in the night, upon waking



, unknown controls. The impulse and function of self-hurt without your wanting



, this is why you cannot handle body horror. Once, during your first year of university,


you scratched your arm so bad you felt a gloss, the wetness of plasma, turning on the


light for a jumpscare



, dozens of popped blisters, like crimson eyes, staring back from the underside of your


arm



, you wept on the phone to your mother as she sung you a lullaby



, not the fictive exaggerations, then, the Cronenbergian flourishes, but the mundane


reality, the horror-ified body, distant from body horror for it is that true



, connected to the world, of course. Stephanie LeMenager speaks of petroculture


as subterranean5, oil both underground in its source and how it operates societally. It


lubricates the Global North, the contemporary world, out of sight



, but for you, this is all surface, tubs upon tubs of greasy emollient layered above the


damaged damaging skin, in searing sight



, it gets everywhere



, you become a flammable hazard



, how much of these oil products have you received from the government? How much


does this cost, taxed for a condition not your choice



, it is this slick web of social relations which renders you lonesome



, just you and the body



, you-ness with the body



, you’re writing but are you getting anywhere



, you worry flatmates assume clumps of greasy emollient are semen. But in eczema


there is not a libidinal release of fluid but the application of fluid, an excess which


becomes part of the whole



, the surface wanting to be itself, undisciplined, against subterranean senses towards


desire



, you doubt it is all as psychoanalytic as implied – the motor neurones at play



, the body acted upon like a mind



, for the brain, in eczema, is excavated too



, the fear/anticipation of rose openings, worse bleeding



, you think of the Book of Job. You think of this as punishment – for your queerness,


maybe



, purgatorial, your body, flare-ups in transit



, there is a taxonomy of itches, but it feels inexpressible. A schematic, then, becomes


excised. Hence eczchematics. Hotness, when responding to an allergen: dust, pollen,


cat hair, dog hair, your thirty-six other triggers



, dryness, in the aftermath



, scars the most pain, not the reaction proper



, when you use emollient, at this stage of the cycle, flakes of dead skin clump together


like porridge under your nails



, petroleum cream never seeps through to relief. It surrenders to ceaseless surface



, that’s how you emerge: always as a response. Eczema does not allow you to start,


to originate



, tightness, this text-ure. You stretch a neck and worry about pulling a muscle. You


fantasise about scratching, flattening the shape of my human form. To make it canvas


for it is easier to scratch against internal contours, the bone and muscle that are not


skin, which get forgotten in this exchange, altered, the scaffolding which allows


(diminishes) the return of scratching



, open the so-called body and spread out all its surfaces […] go on, expose the small


intestines’ alleged interior, the jejunum, the ileum, the duodenum, or else, at the other


end, undo the mouth at its corners, pull out the tongue at its most distant roots and


split it, spread out the bats’ wings of the palate and its damp basements, open the


trachea and make it the skeleton of a boat under construction […] this is not all6



, you are cautious to make something radical out of this condition, to have the skin


recover into itself, but you have to ask



, does eczema pluralise skin



, you check your reflection in passing parked car windows, to see how you look



, skin repeated many times in your own seeing



, the skin felt, the skin seen



, the body an avatar of inflammation



, by setting up these eczchematics you do not resolve the issue, but articulate it, put it


in a context



, eczema persists whether you think about this essay or not



, writing a non-exit



, you are repeating itself



, scratch scratch scratch



, there is hearsay and mystery attached, of course. This is a folkloric condition



, there is always an antidote to propose: manuka honey, green tea, herbal oil



, the approach can never be clinical, medical, scientific. It has to be the way of the


writer, i.e. superstitious, mystical



, hellish



, the knowledge of experience, even if wrong, will constitute so many other thoughts


and assumptions and affects it cannot be dismissed



, there are layers conjured based on this irrationality. The eczchematicised skin is not


a scientific site



, it cannot be cited



, the filaggrin gene encodes structural proteins in the stratum corneum and stratum


granulosum that help bind the keratinocytes together which maintain the intact skin


barrier and the hydrated stratum corneum. Filaggrin gene impairment leads to dry and


fissured skin which increases penetration of allergens into the skin […] lichenified with


excoriations, papules and nodules7



, within eczchematics what is up for interrogation is the self – the bodymind, then the


body-scratch



, you are not a part of this process. You facilitate, but the other you that is part of ‘you’


cannot control this



, it’s a victim



, the miracle of jouissance – the hyperbole endpoint of desire, if not a form of desire


per se8



, which is to say, it’s tragic



, actually, no, it's ugly feelings, to borrow Sianne Ngai’s term. Eczema does not cohere


into epic, it is not a tragic condition



, the eczchematic epic would be very tedious: endless loops, repetition twofold



, the act-then-response not complete in the act, so predicated before the act



, the predatorial prey of eczchematic time



, minor and generally unprestigious feelings are deliberately favoured over grander


passions like anger and fear […] as well as over potentially ennobling or morally


beatific states like sympathy, melancholia and shame […] explicitly amoral and


noncathartic, offering no satisfaction of virtue, however oblique, nor any therapeutic


or purifying release […] moods like irritation and anxiety, for instance, are defined by


a flatness or ongoingness entirely opposed to the “suddenness” on which Aristotle’s


aesthetic of fear depends […] a remarkable capacity for duration9



, your fingernails have Aristotelian demands for the body. They want catharsis



, it’s not delusion on the nail’s part, but necessity



, they died a long time ago, they are keratin, they cannot be scratched the way


something once-soft, like your skin, can



, a solution never conjured. Your body cannot ask for that. It is givenness upon what


it gives itself, constantly



, the subconscious. Not neurones but this – then a sensation



, infinity in the irresolution. Negative dialectics



, a restless form of thinking which does not proceed from, or expect to arrive at a


transcendental or transcendent ground or principle10



, the mirror stage11 constantly repeated. The painful body coming across the adequate body



, beyond the possibility of relief, in eczchematics, for even in relief is the horizon of its


opposite. It refuses the clarifications of biological truth, answers, a process for solution


denied



, skin constituting its own breakage



, how wicked an organ skin is, so deeply alert to the other12



, you see how this gets annoying



, your skin is a comma – ongoingness. It is the irritant that detects the irritant. It wants


to get rid of itself, to stop feeling, to tell itself what must be destroyed


ree


1 Maria Fusco, “ECZEMA!” in Critique: Stakes of Form, p. 227


2 Didier Anzieu trans. Naomi Segal, The Skin Ego, p. 30


3 Jane Bennet, Vibrant Matter: A Political Ecology of Things


4 Jay Prosser, “Skin Memories” in Thinking Through the Skin, p. 52


5 Stephanie LeMenager, Living Oil: Petroleum Culture in the American Century


6 Jean-Francois Lyotard, “Libidinal Economy” in The Lyotard Reader and Guide, p. 49


8 Sianne Ngai, Ugly Feelings, p. 332


9 Ibid., p. 7


10 “Negative dialectic”, Oxford Reference


11 Jacques Lacan trans. Bruce Fink, “The Mirror Stage as Formative of the I Function” in Écrits


12 Alice Hill-Woods, “Weeks or days later” in Hothouse, p. 17




ree


 
 
 

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