Tom Branfoot
- Pamenar Press

- Oct 5
- 2 min read
Tom Branfoot is a writer from Bradford, and the writer-in-residence at Manchester Cathedral. He won a Northern Debut Award for Poetry in 2024 and the New Poets Prize 2022. He organises the poetry reading series More Song in Bradford. Tom is the author of This Is Not an Epiphany (Smith|Doorstop) and boar (Broken Sleep Books), both published in 2023.
from Real Presence
beneath stone pines ducklings flocked regardless
we hid from the portent among curios
figurine teardrops teemed in the courtyard
polished sapphire mineral futurism
two centuries old dewy aureoles
fruited from porcelain boles the earth-toned
craquelure of rot if floodwater rose
would taxidermy whales return to sea
we were not so different from those wax
anatomical models translucent
inbuilt with movable parts to regard
lovelight gleaming within our fleshland
I am flayed and veined for you alone
for us I clenched a goldfinch in the hand
for us I clenched a goldfinch in my hand
licked the edges of words to burn slower
it was lead cold in Bologna
we hardly saw the city’s rosso stone
winded by Guttuso’s Funerali
di Togliatti its radical assembly
ragazzi screams of swifts the morning
I decided to kneel porticoes melting
on our fragile heads the art was meant to be
reality burnt plastic our wounds
light played piano in the gallery
and the gesture took on a sculptural property
I’m sick of the pressure to experience so now
just this birdsong light empirical heat
just this birdsong light empirical heat
I started expressing my milky love
for you as we were swept up by a crowd
it could have been emergency but the meadowsweet
was flawless humid air recalls semen
the church a cold shower casting shadows
on everything it could not own
poor art that it should suffer censorship
finance’s alarming onus
I came here to be moved by politics
under the portico a swallow’s nest
young mouths screaming at inconsistency
they struggle in an exhibition space
that cannot fully contain their hunger







Comments